His father was a night watchman at a brewery. Moore was born Harry Roscoe Moore in Rock Island, Illinois, one of 13 children of Harry and Cynthia Moore. He proudly stated, "I've made it a point never to tell a joke on stage that I couldn't tell in front of my mother." Biography Early years He gained his greatest recognition in the starring role of George "Kingfish" Stevens in the CBS TV's The Amos 'n' Andy Show. Tagged 1951, 1952, 1953, 1954, 1955, Alvin Childress, amanda randolph, amos 'n' andy, best episodes, CBS, comedy, Ernestine Wade, Johnny Lee, Nick O'Demus, radio, sitcoms, Spencer Williams Jr.Tim Moore (Decem– December 13, 1958) was an American vaudevillian and comic actor of the first half of the 20th century.
Episode 19: “The Happy Stevenses” (11/01/51) - best Kingfish/Sapphire entryĬome back next week for another Wildcard! And stay tuned Tuesday for more Beaver!.
Episode 18: “Getting Mama Married (II)” (10/25/51) - continuation of above.Episode 17: “Getting Mama Married (I)” (10/18/51) - Amanda Randolph shines.Episode 09: “The Gun” (08/23/51) - Connelly/Mosher script, funny narrative.Episode 04: “Rare Coin” (07/19/51) - Connelly/Mosher script, produced as pilot.(Note: all my picks come from the first season on CBS the show seemed to run out of good ideas as it progressed.)
Also, because my personal belief is that no work deserves to be hidden because of its content - in the right context, everything has merit - I agree with many of the show’s famous black fans, who say that Amos ‘n Andy didn’t deserve to be banished indefinitely in 1966 (following intense NAACP backlash). So, while I can’t really treat the show as I would most of the ones we cover here, both because of its baggage and because of its character work, I can at least repurpose its memory by praising its wonderful cast - performers Alvin Childress, Spencer Williams Jr., Tim Moore, Ernestine Wade, Johnny Lee, Nick O’Demus, and Amanda Randolph, who elevate their material the best they can, adding humanity to nuance-less parts - and present to you a no-frills list of five episodes that showcase them, and the series, in the most comedic, memorable light possible. This must have been a treat for an audience hungering for more of this, and while the sensitive nature of black depictions elsewhere invites extra scrutiny to Amos ‘n Andy, it was providing something of value to the community. Yet there’s a lot here to celebrate, too: the TV series, unlike its radio predecessor, was the first comedy with an all-black cast, set in a world where being black was totally normal. Accordingly, the fact that the show keeps its regular roles one-dimensional - surface traits, no capacity for growth - becomes even more imprudent, for this only exacerbates the inherent racial concerns.
#AMOS AND ANDY TV EPISODES SERIES#
I hoped that I would come to agree with the many fans who call Amos ‘n Andy a lost gem: one of the smartest and funniest of TV’s early sitcoms, unfairly treated because of its unavoidable racial assumptions, which, depending on who you ask, are either legitimately troublesome or erroneously feared. But I’m afraid that I simply don’t think that’s a valid narrative - not only is the series NOT on that top shelf of its era’s comedies ( I Love Lucy, The Honeymooners, The Phil Silvers Show), because its character work is not up to those standards, it’s also impossible to wrest Amos, Andy, the Kingfish, Sapphire, Calhoun, etc., from the minstrel tropes and stereotypes that had defined African Americans in entertainment up to that point, an issue made more glaring when we note that the creative team was all white. You see, many first season scripts for The Amos ‘n Andy Show were written by Leave It To Beaver‘s two creators, Joe Connelly and Bob Mosher, and I thought this connection would inform my looks at both series… However, after examining the 74/78 episodes that circulate (they’re all on YouTube as of this writing), I’m afraid I can’t really give this show my usual critical attention. Welcome to a new Wildcard Wednesday! This week, I planned to cover the television adaptation of the long-running radio hit Amos ‘n’ Andy, which ran for two years (1951-1953) of 52 episodes on CBS-TV, with another 26 added that decade in first-run syndication.
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